Archive for the ‘Commentary’ Category
Winter Solstice 2021
Posted December 20, 2021
on:- In: Commentary | Giving | Gratitude | Nature of Reality | Personal loss | Self-Discovery
- 1 Comment
The Winter Solstice is sometimes called a Tipping Point. The climb from lengthening nights and shortening days flips into a gradual progression of shorter and shorter nights offering longer and longer days as we go forward. I see it as a Transition into the journey that becomes the New Year.
Transitions are inevitable. We grow and change. People come into our lives and also leave us. We change our living spaces. We take on new responsibilities and close the door on others. Transitions happen. Often without our permission. Sometimes bringing wonderful surprises. Sometimes bringing pain.
Transitions can be joyous and exciting. But also, uncertain and frightening. Some will cause us to grow in ways we could not have anticipated. Others will feel as if you are swimming across a river and, having finally reached the center, leave us lost in that place where you can no longer see the bank of the river you left behind and have yet to find the new riverbank you are swimming toward.
It’s OK to tread water for a while.
The Winter Solstice gives us the space to rest in that uncertainty knowing that the way forward, whatever that is, will always continue. It’s OK to tread water for a while.

This moment in time – the Winter Solstice that has been approaching, that, starting tomorrow, will just as smoothly, move away from us – can be your invitation to acknowledge where you are and to make space to welcome what is waiting for you down the path. Your destination will reveal itself in time.
Celebrate the uncertainty and know that this, too, is part of that journey.
GRANDPA, WHAT IS A TREE?
Posted November 6, 2021
on:
The ongoing climate crisis has already impacted our lives in serious ways. Extreme weather events. Earthquakes and tornados in places that have never had them before. Wildfires greater and more frequent than ever that have devasted entire towns. Rising seas levels that threaten coastal communities. And so much more.
Many people all over the world are working to reduce the effects of climate change and save our biosphere. But unless we human beings change the way we perceive our world, and find ways to respect rather than exploit the earth and its many non-human inhabitants we will always be in danger of destroying the very environment that keeps us alive.
This change in our belief system starts with understanding and accepting the concepts behind the Rights of Nature movement. It starts with realizing that everything on this planet, the oceans, the forests, the animals, the land itself, has a right to its own existence. Which means the right to be unencumbered by human notions of “ownership” and “property”. The right to thrive.

On Thursday, November 9, 2021 at 7:00 pm PST the San Fernando Valley chapter of the Climate Reality Project will be hosting a panel of creative artists and activist at the forefront of the Rights of Nature Movement. Our guests will be two of the producers of the documentary film “The Rights of Nature: A Global Movement” and two of the principal activists who appear in the film.
You can view the film on YouTube for free whenever you like and then join us on November 9th for our discussion to learn more about the history of the Rights of Nature movement and find out what is being done to make sure your children grow up in a world where there is air to breathe and a chance that your grandchildren will know, first hand, what a tree looks like.
Below, Judy Glass, Chair of the Environmental Justice and Rights of Nature Committee and a Climate Reality Project Leadership Team Member, offers an introduction to the subject of Rights of Nature as a lead in to what we anticipate will be an eye-opening conversation.
To introduce our discussion of Rights of Nature, I’d like to begin with the highlights of the evolution of the rights of humans—which we know is part of the rights of nature, though too often not thought of that way.
The evolution of human rights has both a political and an economic dimension, both relevant to thinking about Rights of Nature. To provide context for our program tonight, I want to acknowledge the work of Christopher Stone, recently deceased, who more than 50 years ago authored a pioneering work on Rights of Nature called “Do Trees Have Standing? Toward Legal Rights for Natural Objects”.
In his introduction, Stone quotes from a 19th C court decision refusing women the right to practice law in Wisconsin. The court comments that the nature of woman—purity, delicacy, subordination of hard reason to sympathetic feeling—disqualify her for the battle field of forensic strife. Stone editorializes that the movement to confer new rights is “bound to sound odd or frightening or laughable…because until the rightless thing receives its rights, we cannot see it as anything but a thing for the use of “us” –those who are holding rights at the time….”
Here are some significant dates in the history of increasing political rights for human beings:
1215:
English Barons forced the king to renounce certain of his rights, particularly habeas corpus
1688-89:
Parliament shares governing rights with the King. English Bill of Rights-includes end to cruel punishments
1776:
US born into age of Enlightenment; Declaration of Independence—all men are equal; have inalienable rights from God; life, liberty and the pursuit of happiness
1789:
France – Decl. of the Rights of Man
1791:
US Constitution: Freedom of speech, religion, assembly; right not to incriminate oneself
19th Century in America:
No property qualification for voting; Women can enter professions, can divorce; inherit property; Get custody of children
1860s:
Blacks freed from slavery; black men get the vote. But reconstruction denies to blacks the freedoms promised by the 13,14,15 Amendments
1920:
Women get the vote after 75 years of agitation; Civil Rights Movement of the 1960’s finally delivers, at least on paper, on many promises of the Constitution
21st Century:
Significant Constitutional protection of economic and social rights for LGBTQIA+ individuals & communities
I separated the human struggle for economic rights because here the analogy with the rights of nature movement is so compelling. The building blocks—the resources– of any economy are land, labor and capital. From the point of view of the economy, labor is a cost, a commodity. But labor is human life, and the struggle for economic rights for workers and consumers is ongoing. The struggle to reduce hours of work or to gain legal rights to organize unions took all of the 19th C and half of the 20th. Reducing child labor, requiring minimum years of schooling, minimum wages, paid vacations, pensions, social security—none of that happened before the mid 20th century; recognizing health care as a right still is not established in the US, nor are economic protections for LGBTQIA+ individuals and communities guaranteed in their implementation.
These are rights of nature, rights of human nature. All hard fought, over many years.
Similarly to labor, land was seen as a cost, as commodities, as resources to be used to create wealth. In the late 20th century, though, another quantum leap occurred when new laws like the Endangered Species Act, and the Environmental Protection Act morphed into a discussion with a Rights of Nature emphasis. Enter Christopher Stone, and nations like Ecuador and New Zealand, and local communities like Santa Monica, and film makers like our guests tonight whose consciousness mirrors that of indigenous peoples around the world, arguing for giving “standing” to trees, rivers, and other natural entities, to sue for protection, for life and their right to thrive, their right to be other than resources.
Judy Glass
Chair, Environmental Justice and Rights of Nature Committee
Climate Reality Project Leadership Team Member
San Fernando Valley Chapter
November 2021

Please join us at our November Chapter meeting by registering at bit.ly/SFVCR
And join in wherever you can in establishing and protecting the Rights of Nature so that you don’t have to worry about what you will say when your grandchildren look up at you and ask, “What is a tree?”
Right in Our Backyard
Posted October 8, 2021
on:Listen, Y’all! For those of you who live anywhere in or near the West side of The San Fernando Valley in the North end of Los Angeles, California, USA, there is big news that will change what you know about your neighborhood.
Plans are about to be launched for a major redesign of one of the busiest areas in that region.
34 acres extending from Topanga Canyon Blvd. on the West to Owensmouth Ave. on the East and from Oxnard St. on the South end to Erwin St. on the North will be completely redesigned with a mix of residential and commercial buildings that will change the look and feel of the area.

Included in the multi-phase plan, projected to be completed in 2033, are:
- 5.6 acres of public open space
- A 15,000-seat entertainment center
- 1400 new rental units
- 5610 parking spaces
- 572 hotel rooms
- 629,000 square feet of office space
- 244,000 square feet of restaurants and shops
Buildings on the site will range between one and 28 stories tall.
On Tuesday, October 12, 2021 the San Fernando Valley Chapter of the Climate Reality Project will host Councilmember Bob Blumenfield (3rd Council District, which spans the northwest portion of Los Angeles in the San Fernando Valley, including the communities of Canoga Park, Reseda, Tarzana, Winnetka and Woodland Hills).
Along with learning more about his position on climate initiatives in Los Angeles, Councilmember Blumenfield will share with us his thoughts about the Warner Center redevelopment plan.
Projected completion by 2033 is 12 years away, folks. That means 12 years of construction. Those of you who live or work near the building site may want to be prepared for the impacts this will cause.
Projected completion by 2033 is 12 years away, folks. That means 12 years of construction. Those of you who live or work near the building site may want to be prepared for the impacts this will cause.
Join us on Zoom, Tuesday night, October 12, 2021, 7:00 pm PST to hear what Councilmember Blumenfield has to say and to add your thoughts and questions.
References
Westfield Mall article May 2019
https://la.curbed.com/2019/5/1/18524405/warner-center-promenade-westfield-mall-redevelopment
Westfield Mall Article Feb 2020
https://la.curbed.com/2020/2/24/21150888/warner-center-promenade-mall-affordable-housing-appeal
The Fight For Focus
Posted August 26, 2018
on:The electric fan sits on the floor by the window. It protects me from the heat and humidity that plagues modern society. In my youth I lived in world where my goals were achievable and my task list was short enough to complete by the end of the week. Here in Los Angeles it was almost always pleasantly warm and dry. And I didn’t have to fight the weather to make space in my brain to tackle daily goals and dreams. I don’t remember having so much to fight for and certainly not so much to fight through.
Now I feel the encroaching world press in on me in ways I never expected. And on top of all the daily challenges, the aches, the tasks piling up around me, the demands of a world grown altogether too connected to handle in any rational fashion, I have to fight through the physical discomfort of an environment grown so hot and sticky that it produces another, previously unexplored, struggle: distraction. Distraction of a physical nature that Just. Should. Not. Be. There.
But there it is. It frightens me to think I may have grown so old that my body can no longer survive in its environment. And it frightens me to think that we may have so deeply destroyed our environment that we, as a species, may not survive the very effects we have loaded on our planet and our own backs.
But, I have never been one to sit in my fears for very long. No pouting, pity-party for me! So, kick up the level on the fan. Take a drink of cold water. Take a deep breath. Focus on what’s next. Focus. Ignore the ache that sits at the back of my brain that screams at me, “You could lose this time.” Just put one foot in front of the other for as long as you possibly can and – focus. Say a prayer of gratitude for the cool air coming at me from the fan by the window enveloping me like a Cone of Silence. (Yeah, you have to be “of a certain age” to understand that reference!)
Just keep fighting to move forward. Enjoy the cool air and ….. Focus.
True Public Service
Posted November 22, 2017
on:- In: Commentary | Giving | Gratitude | History | Nature of Reality | Politics | Public Service
- 2 Comments
I published this post six years ago. It has gotten only more relevant as time passes. As we reach this year’s Thanksgiving celebration I give thanks for those in public service who actually understand that their jobs exist to serve the public.
George Bernard Shaw (26 July 1856 – 2 November 1950) was a playwright, journalist, public speaker and champion of the working class. He wrote more than 60 plays in his lifetime and was the only person to have been awarded both a Nobel Prize for Literature (1925) and an Oscar (1938), for his contributions to literature and for his work on the film Pygmalion (adaptation of his play of the same name).
Many of us may be surprised to learn that he was also a co-founder of the London School of Economics. No slouch he.
In stark contrast to the attitudes of so many of our currently elected officials, here is his statement about public service:
“This is the true joy of life, the being used up for a purpose recognized by yourself as a mighty one; being a force of nature instead of a feverish, selfish little clod of ailments and grievances, complaining that the world will not devote itself to making you happy.
I am of the opinion that my life belongs to the community, and as long as I live, it is my privilege to do for it whatever I can. I want to be thoroughly used up when I die, for the harder I work, the more I live.
Life is no “brief candle” to me. It is a sort of splendid torch which I have got hold of for a moment, and I want to make it burn as brightly as possible before handing it on to future generations.”
- In: acting | artist's rights | Commentary | Theater | Unions | worker's rights
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There has been so much misinformation and misunderstanding about the 99 Seat situation that it boggles the mind.
As a 37-year member of Actor’s Equity Association I have been a working member on many of AEA’s contracts as both performer and stage manager. I have also served – as a volunteer, mind you – as a Councilor, Chair of the Western Advisory Committee on Chorus Affairs, and as a member of a handful of AEA committees. (These are the people who discuss details and make recommendations to Council and the union negotiators for wages and working conditions for the various contracts that protect actors and stage managers working in professional theater.)
Twenty-some years ago I was on the committee that met with, and wrestled with, the Waiver Theater Operators, the Actors who made themselves into Producers so they could produce theater while asking their fellow actors to work without pay. In that process I learned much about the history of what was originally called “Waiver Theater” which after 16 years became “99-Seat Theater” and has now become a collection of three plans; one of which is the new Agreement that controls working conditions for AEA members working in small theater.
So, I know a little something about all this. And, I gotta tell ya, if you don’t know the history, and the real facts behind this issue, you are likely to come to the wrong conclusion about what is rapidly turning into a lawsuit by the 99-Seat producers against Actor’s Equity. Those who do not know their history are bound to repeat it.
Twenty-Some Years Ago this exact same scenario happened. And wasted hundreds of thousands of dollars of YOUR dues money so that the union could continue to do what it is, by design, meant to do: PROTECT THE ACTOR FROM ABUSIVE PRODUCERS!.
As you read the following press release sent today by Actors Equity I ask you to put aside emotional responses and remember: Actor’s Equity Association is a Labor Union. Not your psychologist. Not your acting teacher. Not your means of creative expression. Their mandate is to negotiate and monitor wages and working conditions so that their members can actually make a living in professional theater.
⇒ Read on.
MOVING 99-SEAT THEATRE TO LEGITIMATE PAYING PRODUCTIONS
Equity Puts Forth the Actual Facts
Los Angeles, June 30, 2016 – Actors’ Equity Association Executive Director Mary McColl issued the following statement:
Actors’ Equity Association (Equity) remains disappointed that the facilitated discussions with the plaintiffs in the Asner vs. Actors’ Equity lawsuit were unsuccessful.
If the end of the facilitated talks brings the service of the lawsuit, Equity will stand up for its members and will immediately file for a dismissal of all claims brought in the suit. Equity, a labor union representing more than 50,000 stage actors and stage managers across America, was founded upon the belief that actors should be paid for their work and treated fairly. Actors on Broadway. Actors in Kansas City. Actors in Los Angeles. All actors.
The lawsuit, which is procedural in nature, claims that Equity did not follow the steps outlined in a 1989 settlement agreement to alter the terms and conditions by which 99-seat theatre is produced in Los Angeles. Some producers and actors in Los Angeles, however, claim that the goal of the lawsuit is to retain a system that allows producers to cast actors in productions without paying for their services. And the plaintiffs have been talking about it.
Absent the facts, confusion is created. The plaintiffs have been generating misinformation while at the same time releasing insupportable “data” as their rationale for why actors should not be paid.
Let’s look at the facts.
More than 7,000 Equity members live and work in Los Angeles County. Despite being the “entertainment capital of the world,” with actors flocking from around the globe to Southern California, Equity’s data reveals that LA County actually provides less paid work for stage actors than markets such as Baltimore/DC, Boston, Chicago and Minneapolis/St. Paul.
Incredibly, in the most recent period where data is available (2014-2015), LA County (with 7,000 members) had 6,500 paid work weeks for Equity members; whereas, Baltimore/DC (with 854 members) had more than 8,700; Boston (with 845 members) had over 7,900; Chicago (with 1,589 members) had more than 15,800 paid work weeks; and Minneapolis/St. Paul (with 437 members) had more than 6,700.
The fact that these far smaller markets eclipsed LA in paid work weeks confirms the fact that a theatrical community can thrive and still pay the performers.
As you drill further into the data, more interesting facts about the plan become apparent. During the same period (2014/2015), there was a total of 11,013 unpaid work weeks for actors in Los Angeles County. If those unpaid work weeks were actually paid work weeks, then 99-seat theatre would represent the second largest source of paid employment in the Western Region – second only to LORT.
In markets from Seattle to Chicago, unpaid work weeks are below 1%. This begs a simple question: How is it that the rest of the nation can afford to pay its actors who perform in small theatres, yet Los Angeles cannot? Equity takes great pride in the diligence with which its producing partners nationwide work toward adding contracts. It’s time LA producers — some of whom are incorporated as not-for-profits, but all of whom sell tickets to their productions — play by the same rules as everyone else.
Another argument often cited is that the system results in creating productions that go to Broadway. While it’s true that some shows have made the move, the path is not a direct one. Generally, years of work in multiple productions on paying contracts occur before a production that began in a 99-seat theatre makes it to a Broadway production. Along the way, there may be productions in LORT or other theatres, changes are often made and enhancement money may be made available for development. The data shows that when a 99-seat production is staged again, the actors in the original cast — who were not paid a wage to develop the work — seldom move on with the production. One production, SMALL ENGINE REPAIR, has been cited as an example of a 99-seat production that moved to New York, but, of the actors in the original cast, only one (who was also the playwright) made the move, which was two years later.
The old 99-Seat Theatre Plan represents an unnecessary and avoidable roadblock for actors in Los Angeles attempting to make a living in live theatre. An ecosystem has been allowed to develop where even midsize theatre suffers because it is competing with a small theatre system that pays actors little, if anything at all. This has created a downward spiral, or race to the bottom, where the real losers are the actors, the stage managers, the audience and the theatre industry overall.
It is one of the founding principles of Actors’ Equity Association that those who work in live theatre deserve to be paid for the work that they do. Every actor and stage manager who has joined this union has agreed to work under conditions that, to the best of Equity’s knowledge, are most beneficial to the whole. This is one of the fundamental definitions of a union. When an actor works through a rehearsal break, he or she contributes to an expectation that everyone else will give up that break as well. When an actor develops work without ever expecting any return on that development, he or she makes it more difficult for colleagues to ask for developmental compensation. Finally, when a member — any member — works for a few dollars a show, with no pay for rehearsals, he or she damages the earning power of every other member, both monetarily and philosophically. This has not been an easy process, but Equity is committed to doing the right thing.
It is for these and many other reasons that Equity stands behind its decision to bring Los Angeles County in line with the rest of the nation, and defend its members’ right for fair compensation.
Book Bans in the US? Literary Hub offers tools to stop them
Posted by: Tara Sitser on: February 9, 2022
This post from Literary Hub should be of interest to any author, for that matter any artist of any kind, who wants to fight back against the current attempts to ban books in the US. The Author’s Guild has created a toolkit to simplify the process of speaking out against this attempt to quash self-expression and rewrite history.
We have to be on the alert because, if the attempt is successful, they won’t stop with books.
Read the post here: Want to stop Book Bans?
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