Rest Now, My Father!
Posted on: February 1, 2018
- In: Death | Family | Gratitude | Personal loss
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Jacob Sitser, 91, passed away on Saturday, January 28, 2018 in the city he grew to love, Siesta Key, FL where he spent the latter part of his life enjoying the view of the beach from his 5th floor sunroom balcony and the company of the love of his life, Helena Pimenta Sitser.
Jacob, known to friends and family as Jack, was born in 1927, an only child, to Yetti Richter Sitser and Mauricio Sitser in Saõ Paulo, Brasil.
A professional musician from an early age, Jack mastered both the viola and violin. At the age of 21 he was granted a scholarship to study music in the United States of America. After graduating from music school Jack chose to stay in the US and became an American citizen. He married Dorothy Perlberg (divorced in 1973) and served four years in the US Airforce as a member of the Airforce band – an experience that provided him lots of amusing anecdotes about musicians being led by an Airforce Major who knew nothing about music!
During this time he became a father to Sheryl, Tara & Gerald.
Always concerned about being a good provider for his family, Jack made his career in the banking industry. An amusing turn of events that happened when he saw a job listing in the newspaper for a “teller”. His minimal English language skills led him to believe the job was for someone who could tell stories. But take the job he did and he moved quickly up the ladder to become bank Vice President of major banking institutions including Union Bank, Lloyd’s Bank and Banco Do Brasil, eventually, taking the position of Bank President for Banco Real.
Jack never gave up his love of music and stayed connected throughout his life to a worldwide network of chamber musicians with whom he played regularly.
Jack’s favorite music partner was his wife of 43 years, Helena Pimenta Sitser, an accomplished cellist and pianist.
Jack is survived by his beloved wife, Helena, his children, Sheryl Sister, Tara Sitser Brickman and Gerald Sitser, his step-children whom he adored, Maria Lucia Machado Martin (married to Tom Martin) and Eduardo Machado (Married to Maria Beatrice Hadler Machado), his seven grandchildren Phillip, Marcos, Ricardo, Fabio, Mariana, Guilherme and Artur, plus more spouses and great-grandchildren than can be listed here. All of whom were treasured by Jack and brought great joy into his life.
Jacob Sitser was a man of grace and compassion, a support system to many, and a wonderful family man. He will be missed.
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SOME ADDITIONAL THOUGHTS FROM MY BROTHER, GERALD SITSER:
Among nearly a century of accumulated photos of my father, the one I cherish most is a portrait from his college days, joy and contentment on his face, his beloved violin in hand. Throughout his life, music was his refuge — from a turbulent world, the stress of work, the bittersweet onset of age. Most importantly, it was a passionate bond between himself and those he loved.
I’ve always maintained an impossibly ideal image of my father. But I’ve also seen how others admired and respected him: This thoughtful and generous man who was always available to offer a comforting shoulder, to share a few wise words, to calm any rough waters, and to bring a smile to every face in the room.
Dad was rightfully proud but never vain. He was a bastion of civility in a world that’s forgotten politeness. He was a patient teacher whose greatest lessons were to think for yourself, to remember that your actions have consequences, and that the world owes you nothing that you haven’t earned for yourself. He gave of himself freely with no thought of personal reward, knowing all the while that there is no greater reward than knowing you’ve made a difference. He understood the value of a moment of sorrow, but only for a moment and no more; for he also understood the need to shrug off your troubles, pick yourself up, and move on.
I can only try to emulate my father, but perhaps that’s enough. If there’s any part of his legacy I can pretend to claim, let it be his quiet strength and unwavering sense of dignity. There was only one of him. The world was lucky to have that; and his family, the luckiest of all.
***********************
ADDITIONAL THOUGHTS FROM MY SISTER, SHERYL SITSER:
My father had a magic touch with people as a result of being generous, caring, empathetic, wise, funny, and fair-minded. Almost everyone who knew him wished that he could be their father and we were the lucky ones who could claim him as their own.
* * * * * * * * * * * *
When I was a child it seemed that few of my friends had fathers who were as compassionate, wise and loving as my father. As each went through some minor crisis (they didn’t get the party invitation they had hoped for, their mother wouldn’t let them wear make-up, typical teen-aged angst,) they obviously wanted a grown-up to talk to and didn’t feel their parents would be responsive or sympathetic enough. I offered to “lend” them my father who was not only the world’s greatest listener, but also gave the best advice. He always knew exactly what to say to cheer them up let them know that things would get better and my friends were always amazed and grateful that they had the opportunity to talk to this wonderful man.
* * * * * * * * * * * *
In the 70’s when my father was the president of Bank of America at downtown Los Angeles, he chose two proteges he would train to take over management positions. He recieved a suprising amount of resistance from the other bank executives because one of those trainees was a woman. He was told that Bank of America had never had a female executive before and that woman weren’t competent enough for management. My father perservered and was eventually able to promote them both. This, and many other stories, show why my father was my hero.
* * * * * * * * * * * *
My friend Marsha was acknowledged by everyone who knew her to be a beautiful girl but because she was overweight, society was extremely cruel to her. One day she was sitting in church talking to friend when a man approached them. He told them he was an artist and wanted their permission to draw their likenesses for possible use in a Christian magazine. Marsha was extremely flattered as she had been lead to believe no one would ever be interested in a picture of her. Several months later she received a copy of the magazine with a beautiful drawing of the two girls. She called her father who didn’t seem to think it was very important or significant. She was crushed to think her father didn’t care.
Since my father knew Marsha pretty well, I told her to call him. As expected, my father was excited for her and told he was not only proud of her but was not at all surprised that someone would recognize her beauty and want to use her image. In a matter of minutes, my father cheered her up and helped repair the damage done by a cruel, unfeeling parent.
These are examples of why Jack Sitser definitely qualified to be named “Father of the Century”.
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The Fight For Focus
Posted on: August 26, 2018
The electric fan sits on the floor by the window. It protects me from the heat and humidity that plagues modern society. In my youth I lived in world where my goals were achievable and my task list was short enough to complete by the end of the week. Here in Los Angeles it was almost always pleasantly warm and dry. And I didn’t have to 
fight the weather to make space in my brain to tackle daily goals and dreams. I don’t remember having so much to fight for and certainly not so much to fight through.
Now I feel the encroaching world press in on me in ways I never expected. And on top of all the daily challenges, the aches, the tasks piling up around me, the demands of a world grown altogether too connected to handle in any rational fashion, I have to fight through the physical discomfort of an environment grown so hot and sticky that it produces another, previously unexplored, struggle: distraction. Distraction of a physical nature that Just. Should. Not. Be. There.
But there it is. It frightens me to think I may have grown so old that my body can no longer survive in its environment. And it frightens me to think that we may have so deeply destroyed our environment that we, as a species, may not survive the very effects we have loaded on our planet and our own backs.
But, I have never been one to sit in my fears for very long. No pouting, pity-party for me! So, kick up the level on the fan. Take a drink of cold water. Take a deep breath. Focus on what’s next. Focus. Ignore the ache that sits at the back of my brain that screams at me, “You could lose this time.” Just put one foot in front of the other for as long as you possibly can and – focus. Say a prayer of gratitude for the cool air coming at me from the fan by the window enveloping me like a Cone of Silence. (Yeah, you have to be “of a certain age” to understand that reference!)
Just keep fighting to move forward. Enjoy the cool air and ….. Focus.
BARACK OBAMA ON THE REPUBLICAN’S ATTEMPT TO RE-WRITE AMERICA’S HEALTH CARE SYSTEM
Posted on: June 23, 2017
- In: Commentary | Health Care | Politics
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…if there’s a chance you might get sick, get old, or start a family – this bill will do you harm.
Yesterday President Obama posted his thoughts on the Republican bill currently on the floor of Congress that would radically change what we know as health care in this country.
I know this post has been widely circulated. But I believe it is important, and hopefully helpful, to isolate a few of his thoughts from the post. The entire post is included below.
“We didn’t fight for the Affordable Care Act for more than a year in the public square for any personal or political gain – we fought for it because we knew it would save lives, prevent financial misery, and ultimately set this country we love on a better, healthier course.”
“For the first time, more than ninety percent of Americans know the security of health insurance. Health care costs, while still rising, have been rising at the slowest pace in fifty years. Women can’t be charged more for their insurance, young adults can stay on their parents’ plan until they turn 26, contraceptive care and preventive care are now free. Paying more, or being denied insurance altogether due to a preexisting condition – we made that a thing of the past.”
“I still hope that there are enough Republicans in Congress who remember that public service is not about sport or notching a political win, that there’s a reason we all chose to serve in the first place, and that hopefully, it’s to make people’s lives better, not worse.”
“The Senate bill, unveiled today, is not a health care bill. It’s a massive transfer of wealth from middle-class and poor families to the richest people in America. It hands enormous tax cuts to the rich and to the drug and insurance industries, paid for by cutting health care for everybody else.”
“Simply put, if there’s a chance you might get sick, get old, or start a family – this bill will do you harm. And small tweaks over the course of the next couple weeks, under the guise of making these bills easier to stomach, cannot change the fundamental meanness at the core of this legislation.”
POSTED June 22, 2017; on FaceBook by President Barack Obama
Our politics are divided. They have been for a long time. And while I know that division makes it difficult to listen to Americans with whom we disagree, that’s what we need to do today.
I recognize that repealing and replacing the Affordable Care Act has become a core tenet of the Republican Party. Still, I hope that our Senators, many of whom I know well, step back and measure what’s really at stake, and consider that the rationale for action, on health care or any other issue, must be something more than simply undoing something that Democrats did.
We didn’t fight for the Affordable Care Act for more than a year in the public square for any personal or political gain – we fought for it because we knew it would save lives, prevent financial misery, and ultimately set this country we love on a better, healthier course.
Nor did we fight for it alone. Thousands upon thousands of Americans, including Republicans, threw themselves into that collective effort, not for political reasons, but for intensely personal ones – a sick child, a parent lost to cancer, the memory of medical bills that threatened to derail their dreams.
And you made a difference. For the first time, more than ninety percent of Americans know the security of health insurance. Health care costs, while still rising, have been rising at the slowest pace in fifty years. Women can’t be charged more for their insurance, young adults can stay on their parents’ plan until they turn 26, contraceptive care and preventive care are now free. Paying more, or being denied insurance altogether due to a preexisting condition – we made that a thing of the past.
We did these things together. So many of you made that change possible.
At the same time, I was careful to say again and again that while the Affordable Care Act represented a significant step forward for America, it was not perfect, nor could it be the end of our efforts – and that if Republicans could put together a plan that is demonstrably better than the improvements we made to our health care system, that covers as many people at less cost, I would gladly and publicly support it.
That remains true. So I still hope that there are enough Republicans in Congress who remember that public service is not about sport or notching a political win, that there’s a reason we all chose to serve in the first place, and that hopefully, it’s to make people’s lives better, not worse.
But right now, after eight years, the legislation rushed through the House and the Senate without public hearings or debate would do the opposite. It would raise costs, reduce coverage, roll back protections, and ruin Medicaid as we know it. That’s not my opinion, but rather the conclusion of all objective analyses, from the nonpartisan Congressional Budget Office, which found that 23 million Americans would lose insurance, to America’s doctors, nurses, and hospitals on the front lines of our health care system.
The Senate bill, unveiled today, is not a health care bill. It’s a massive transfer of wealth from middle-class and poor families to the richest people in America. It hands enormous tax cuts to the rich and to the drug and insurance industries, paid for by cutting health care for everybody else. Those with private insurance will experience higher premiums and higher deductibles, with lower tax credits to help working families cover the costs, even as their plans might no longer cover pregnancy, mental health care, or expensive prescriptions. Discrimination based on pre-existing conditions could become the norm again. Millions of families will lose coverage entirely.
Simply put, if there’s a chance you might get sick, get old, or start a family – this bill will do you harm. And small tweaks over the course of the next couple weeks, under the guise of making these bills easier to stomach, cannot change the fundamental meanness at the core of this legislation.
I hope our Senators ask themselves – what will happen to the Americans grappling with opioid addiction who suddenly lose their coverage? What will happen to pregnant mothers, children with disabilities, poor adults and seniors who need long-term care once they can no longer count on Medicaid? What will happen if you have a medical emergency when insurance companies are once again allowed to exclude the benefits you need, send you unlimited bills, or set unaffordable deductibles? What impossible choices will working parents be forced to make if their child’s cancer treatment costs them more than their life savings?
To put the American people through that pain – while giving billionaires and corporations a massive tax cut in return – that’s tough to fathom. But it’s what’s at stake right now. So it remains my fervent hope that we step back and try to deliver on what the American people need.
That might take some time and compromise between Democrats and Republicans. But I believe that’s what people want to see. I believe it would demonstrate the kind of leadership that appeals to Americans across party lines. And I believe that it’s possible – if you are willing to make a difference again. If you’re willing to call your members of Congress. If you are willing to visit their offices. If you are willing to speak out, let them and the country know, in very real terms, what this means for you and your family.
After all, this debate has always been about something bigger than politics. It’s about the character of our country – who we are, and who we aspire to be. And that’s always worth fighting for.
- In: Commentary | Education | Learning | Politics | Self-Discovery | Social policies
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I have long been a fan of the short story form. In fact, the short story form is far harder than longer forms of writing. Making your intention clear in a limited amount of words is not an easy task. There is a long line of authors whose work I enjoy but top of the list in this regard has always been Harlan Ellison. There are many reasons I am a life-long, die-hard Ellison fan, but chiefly, my admiration is for his ability to select just exactly the right word for every moment in his stories with never a word wasted.
Here’s a favorite example:
“A foot was planted between my shoulder blades and the fist let go of my shirt, and I was booted forward onto my suitcase, which slid a few feet, carrying me as on a raft.
I fell off, rolled over and tried to sit up. Conquest, Slaughter, Famine and Death were staring down at me.”
Quoted from All the Lies That Are My Life by Harlan Ellison
There is no need to give the reader any more detailed description of the four guys who are about to beat up our protagonist. The phrase “Conquest, Slaughter, Famine and Death” tells you everything you need to know.
Another master at choosing just the right words is Theodor Geisel, better known as Dr. Seuss, who sums up this thought beautifully:
“So the writer who breeds more words than he needs is making a chore for the reader who reads.”
And another famous author offers clarity on the subject. When asked his opinion on cursing Mark Twain had this to say:
“The English language is a poor enough means of communication as it is. I figure we ought to use all the words we got.”
Notice here that he did not advise using MORE words than needed at one time but choosing the RIGHT words for what you are trying to convey at that moment.
Words matter. They can offer great kindness but also great sorrow. They can build relationships or tear down entire communities. Words have weight and meaning and sometimes great consequences.
When you are attempting to evaluate someone’s character listen very closely to the word they choose to use. Their choices are not casual. They are a result of a lifetime of attitudes and perceptions and are evidence of the state of their inner psychology.
The speaker is telling you something about who he is and how he chooses to participate in this thing called Life.
Words matter. Listen closely.
Today we say goodbye to one of the most unique, beloved figures I have ever had the privilege to know.
Ed Terry (AKA Ed Theriault; AKA Eddie The Spoon Man) has been a fixture in the Southern California acoustic music scene for many years. His enthusiasm, natural musicality and love of people made him a sought-after guest in the many bands he played with and a welcome presence everywhere he went.
Ed Terry – The Spoon Man – Still making music and Joy at age 80
Eddie started playing the spoons as a young boy and never stopped. Among his accomplishments are a stint playing with the Horace Heidt Orchestra (circa 1940), a 1st prize win on the Ted Mack Amateur Hour and he has the distinction of being one of the few people to ever appear on The Gong Show and NOT get gonged off!
Eddie was 76 years old when he met John Zipperer and very quickly became part of our band family. He performed with us over a period of years in concert halls, at senior homes, backyard parties, coffee houses and was a big hit with audiences every time. (He was also a big flirt and always got lots of attention from the ladies!)
Ed Theriault had his share of life challenges but I never saw him without a smile on his face. And the same goes for his wife of more than 60 years, the wise, wonderful Virginia. He was a joy to be around and the world is a brighter place because he was with us.
Rest Easy, Eddie! Your shinning soul, sparkling humor and enthusiasm for life touched many people and we will remember you!
Take a look for yourself:
- In: acting | artist's rights | Commentary | Theater | Unions | worker's rights
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There has been so much misinformation and misunderstanding about the 99 Seat situation that it boggles the mind.
As a 37-year member of Actor’s Equity Association I have been a working member on many of AEA’s contracts as both performer and stage manager. I have also served – as a volunteer, mind you – as a Councilor, Chair of the Western Advisory Committee on Chorus Affairs, and as a member of a handful of AEA committees. (These are the people who discuss details and make recommendations to Council and the union negotiators for wages and working conditions for the various contracts that protect actors and stage managers working in professional theater.)
Twenty-some years ago I was on the committee that met with, and wrestled with, the Waiver Theater Operators, the Actors who made themselves into Producers so they could produce theater while asking their fellow actors to work without pay. In that process I learned much about the history of what was originally called “Waiver Theater” which after 16 years became “99-Seat Theater” and has now become a collection of three plans; one of which is the new Agreement that controls working conditions for AEA members working in small theater.
So, I know a little something about all this. And, I gotta tell ya, if you don’t know the history, and the real facts behind this issue, you are likely to come to the wrong conclusion about what is rapidly turning into a lawsuit by the 99-Seat producers against Actor’s Equity. Those who do not know their history are bound to repeat it.
Twenty-Some Years Ago this exact same scenario happened. And wasted hundreds of thousands of dollars of YOUR dues money so that the union could continue to do what it is, by design, meant to do: PROTECT THE ACTOR FROM ABUSIVE PRODUCERS!.
As you read the following press release sent today by Actors Equity I ask you to put aside emotional responses and remember: Actor’s Equity Association is a Labor Union. Not your psychologist. Not your acting teacher. Not your means of creative expression. Their mandate is to negotiate and monitor wages and working conditions so that their members can actually make a living in professional theater.
⇒ Read on.
MOVING 99-SEAT THEATRE TO LEGITIMATE PAYING PRODUCTIONS
Equity Puts Forth the Actual Facts
Los Angeles, June 30, 2016 – Actors’ Equity Association Executive Director Mary McColl issued the following statement:
Actors’ Equity Association (Equity) remains disappointed that the facilitated discussions with the plaintiffs in the Asner vs. Actors’ Equity lawsuit were unsuccessful.
If the end of the facilitated talks brings the service of the lawsuit, Equity will stand up for its members and will immediately file for a dismissal of all claims brought in the suit. Equity, a labor union representing more than 50,000 stage actors and stage managers across America, was founded upon the belief that actors should be paid for their work and treated fairly. Actors on Broadway. Actors in Kansas City. Actors in Los Angeles. All actors.
The lawsuit, which is procedural in nature, claims that Equity did not follow the steps outlined in a 1989 settlement agreement to alter the terms and conditions by which 99-seat theatre is produced in Los Angeles. Some producers and actors in Los Angeles, however, claim that the goal of the lawsuit is to retain a system that allows producers to cast actors in productions without paying for their services. And the plaintiffs have been talking about it.
Absent the facts, confusion is created. The plaintiffs have been generating misinformation while at the same time releasing insupportable “data” as their rationale for why actors should not be paid.
Let’s look at the facts.
More than 7,000 Equity members live and work in Los Angeles County. Despite being the “entertainment capital of the world,” with actors flocking from around the globe to Southern California, Equity’s data reveals that LA County actually provides less paid work for stage actors than markets such as Baltimore/DC, Boston, Chicago and Minneapolis/St. Paul.
Incredibly, in the most recent period where data is available (2014-2015), LA County (with 7,000 members) had 6,500 paid work weeks for Equity members; whereas, Baltimore/DC (with 854 members) had more than 8,700; Boston (with 845 members) had over 7,900; Chicago (with 1,589 members) had more than 15,800 paid work weeks; and Minneapolis/St. Paul (with 437 members) had more than 6,700.
The fact that these far smaller markets eclipsed LA in paid work weeks confirms the fact that a theatrical community can thrive and still pay the performers.
As you drill further into the data, more interesting facts about the plan become apparent. During the same period (2014/2015), there was a total of 11,013 unpaid work weeks for actors in Los Angeles County. If those unpaid work weeks were actually paid work weeks, then 99-seat theatre would represent the second largest source of paid employment in the Western Region – second only to LORT.
In markets from Seattle to Chicago, unpaid work weeks are below 1%. This begs a simple question: How is it that the rest of the nation can afford to pay its actors who perform in small theatres, yet Los Angeles cannot? Equity takes great pride in the diligence with which its producing partners nationwide work toward adding contracts. It’s time LA producers — some of whom are incorporated as not-for-profits, but all of whom sell tickets to their productions — play by the same rules as everyone else.
Another argument often cited is that the system results in creating productions that go to Broadway. While it’s true that some shows have made the move, the path is not a direct one. Generally, years of work in multiple productions on paying contracts occur before a production that began in a 99-seat theatre makes it to a Broadway production. Along the way, there may be productions in LORT or other theatres, changes are often made and enhancement money may be made available for development. The data shows that when a 99-seat production is staged again, the actors in the original cast — who were not paid a wage to develop the work — seldom move on with the production. One production, SMALL ENGINE REPAIR, has been cited as an example of a 99-seat production that moved to New York, but, of the actors in the original cast, only one (who was also the playwright) made the move, which was two years later.
The old 99-Seat Theatre Plan represents an unnecessary and avoidable roadblock for actors in Los Angeles attempting to make a living in live theatre. An ecosystem has been allowed to develop where even midsize theatre suffers because it is competing with a small theatre system that pays actors little, if anything at all. This has created a downward spiral, or race to the bottom, where the real losers are the actors, the stage managers, the audience and the theatre industry overall.
It is one of the founding principles of Actors’ Equity Association that those who work in live theatre deserve to be paid for the work that they do. Every actor and stage manager who has joined this union has agreed to work under conditions that, to the best of Equity’s knowledge, are most beneficial to the whole. This is one of the fundamental definitions of a union. When an actor works through a rehearsal break, he or she contributes to an expectation that everyone else will give up that break as well. When an actor develops work without ever expecting any return on that development, he or she makes it more difficult for colleagues to ask for developmental compensation. Finally, when a member — any member — works for a few dollars a show, with no pay for rehearsals, he or she damages the earning power of every other member, both monetarily and philosophically. This has not been an easy process, but Equity is committed to doing the right thing.
It is for these and many other reasons that Equity stands behind its decision to bring Los Angeles County in line with the rest of the nation, and defend its members’ right for fair compensation.
Tara Sitser
True Public Service
Posted by: Tara Sitser on: November 22, 2017
I published this post six years ago. It has gotten only more relevant as time passes. As we reach this year’s Thanksgiving celebration I give thanks for those in public service who actually understand that their jobs exist to serve the public.
George Bernard Shaw (26 July 1856 – 2 November 1950) was a playwright, journalist, public speaker and champion of the working class. He wrote more than 60 plays in his lifetime and was the only person to have been awarded both a Nobel Prize for Literature (1925) and an Oscar (1938), for his contributions to literature and for his work on the film Pygmalion (adaptation of his play of the same name).
Many of us may be surprised to learn that he was also a co-founder of the London School of Economics. No slouch he.
In stark contrast to the attitudes of so many of our currently elected officials, here is his statement about public service:
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